Doors 6pm Show 8pm
2018 JUNO NOMINEES
It’s been almost exactly a year since Weaves released their acclaimed debut LP. The self-titled album was among the most anticipated of the year, and was lauded internationally upon its release for its exuberant approach to guitar pop, which was described as “one of the most unpredictable sounds of 2016” (MTV), and “a triumphant assault on all things conventional” (i-D). It was a whirlwind year for the band who spent a nearly uninterrupted 12 months on the road, playing festivals across the globe, and touring with their fellow 2016 breakout artists Sunflower Bean and Mitski. Propelled forward by their own momentum, which they corralled like the barely contained energy of their explosive live sets, it was a transformative experience, and upon returning home to Toronto the band’s leaders, singer Jasmyn Burke and guitarist Morgan Waters, found themselves possessed by an irrepressible burst of creative energy.
But be wary: the more you listen, the more habit forming Weaves becomes.
Picture the classic rock band. It’s likely you’re thinking of a four-piece: bass, guitar, drums, vocals. Though they might at first glance look pretty standard, Weaves are not doing that kind of math. On their debut, the Toronto quartet shed the restraints of indie rock structure and form, letting something more emotional drive their sparse and artistic sound. Emerging from their city’s well-established noise rock scene, Weaves’ music is difficult to pin down, yet undeniably memorable.